In 1972 Hunter S. Thompson, the creator and king of Gonzo journalism, covered the US presidential campaign for Rolling Stone magazine alongside the establishment newsmen of Washington. The result is a classic piece of subversive reportage and a fantastic ride on the rollercoaster of Hunter’s uniquely savage imagination. In his own words, written years before Watergate: ‘It is Nixon himself who represents that dark, venal and incurably violent side of the American character almost every other country inthe world has learned to fear and despise.’