Arguing that architecture is primarily experienced by the whole body, rather than chiefly with the eyes, this broad-ranging study shows how the most engaging built works are as tactile as they are sensuous, communicating directly with the bodily senses.
ISBN:
9781474287753
Author:
Nathaniel Coleman
Page:
336
Binding:
Soft cover
Publication date:
2020
Format:
Book
Publisher:
BLOOMSBURY VISUAL ARTS
Language:
English
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Price: 17 650 Ft
Currently out of stock, expected back in stock: 4-6 weeks
Description
It explores the theme of ‘material imagination’ and the power of establishing ‘place identity’ in an architect’s work, to consider the enduring expressive possibilities of material use in architecture.
The book’s chapters can be dipped into, each individual chapter providing close readings of built works by selected modern masters (Scarpa, Zumthor, Williams and Tsien), insights into key texts and theories (Ruskin, Loos, Bachelard), or short cultural histories of materials (wood, brick, concrete, steel, and glass). And yet, taken together, the chapters build to a powerful book-length argument about how meaning accrues to materials through time, and about the need to reinsert the bodily experience of materiality into architectural design. It is thusalso, in part, a manifesto: arguing for architecture to act as a bulwark against the tide of an increasingly depersonalised built environment.